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# Hannah Gadsby, Phone-Free Policies, and Disability Rights

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Chapter 1: The Show and Its Venue

Hannah Gadsby, a celebrated comedian and advocate, is set to perform in Pittsburgh this Thursday as part of her "Body of Work" tour. The venue, Carnegie Music Hall in Oakland, is a beautiful place that holds personal memories for many, including my own first visit in the '90s when I attended a Carol Burnett show, where Mr. Rogers was in the audience.

Recently, I discovered that this performance will implement a phone-free policy. Initially, I thought this sounded refreshing; however, the reality of such a restriction raises various concerns. While I appreciate the idea of enjoying a performance without distractions, I find myself longing for liberation from other inconveniences like long bathroom lines or annoying seatmates. We all have our personal list of discomforts we wish could be eased in public settings.

Section 1.1: Understanding the Phone-Free Policy

The policy states that Gadsby's tour will be a mobile device-free experience, prohibiting phones, smartwatches, and other recording devices in the performance area. Upon arrival, attendees will secure their devices in special cases to be opened only after the event concludes. While this aims to create a distraction-free environment, it raises questions about how it accommodates everyone’s needs.

> "YONDR MOBILE PHONE POLICY: Guests will have their mobile devices secured in Yondr cases, and any usage during the performance will result in removal from the venue."

Section 1.2: A Call for Equitable Accommodations

Although I understand the need for accommodations, I believe my needs as an audience member with disabilities should be recognized alongside Gadsby's. Just because she is the headliner does not mean her requirements should take precedence over mine. The essence of accessibility is collaboration—both her team and mine should work together to ensure a comfortable experience for everyone.

Chapter 2: Rights Versus Privileges

In my quest for clarity regarding my rights, I reached out to various organizations, including Disability Rights Pennsylvania and local advocacy groups. The response I received was disheartening. The venue's protocol for medical needs included issuing a colored wristband to allow phone usage for medical purposes, but this approach trivializes my civil rights under the Americans with Disabilities Act (ADA).

The response from the venue staff, particularly from an individual named Chris, raises significant concerns about who gets to dictate how I use my own assistive technology. It seems presumptuous to have someone with no legal or medical training decide how I should manage my device.

I don’t require a medical justification for my phone usage; it’s a civil right that must be respected. In a world where spaces and rights are often conflated, it’s crucial to remember that individuals with disabilities have the right to access venues without feeling like they are begging for special treatment.

Section 2.1: The Reality of Attending Events

Attending live performances can be daunting for those of us with anxiety and other disabilities. The planning involved—considering parking, seating arrangements, and health concerns—adds layers of complexity. If the process for accessing accommodations isn't streamlined and respectful, it can deter individuals from participating in these events entirely.

Section 2.2: The Need for Dignity

Rather than treating individuals with disabilities as if they need to prove their eligibility for accommodations, venues should establish clear, dignified protocols that respect everyone's rights. The importance of this cannot be overstated, especially for those who have already faced numerous barriers to participation.

Chapter 3: A Personal Reflection

As I reflect on my feelings about this situation, I recognize the deep disappointment stemming from these policies. I had been looking forward to this performance, not only for the joy it would bring but also as a rare opportunity for connection and representation. Unfortunately, the added layer of navigating accessibility issues has overshadowed that excitement.

This experience is a reminder of the ongoing struggle for equitable treatment in public spaces, particularly for those of us living with disabilities. It's essential to advocate for our rights and ensure that our needs are met with the respect and dignity we deserve.

This blog, a product of diverse voices advocating for justice and equality, serves as a testament to the challenges faced by disabled individuals in the arts. Follow along for more insights and discussions about these critical issues.

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